The Haunting Of Hill House By Shirley Jackson
My Views-
There was
once an authoress with a dogged-determination,
To give
her readers heebie-jeebies,
By
weaving a plot around a notorious deranged Victorian Hill-House,
Standing
tall for 80 years,
With an
impressive long-list of tragedies in it’s honour.
We all
live and die somewhere, afterall!
She
constructed a tale of sheer-brilliance,
for her
readers to construe.
Is it a
tale of the supernatural? Maybe yes…
Is it a
tale of psychiatric anomalies? Maybe yes…
Is it a
tale of the subconscious deciphering the real-life battles and the more? Maybe
yes…
Is it a
tale of self-deception? Maybe yes…
Who
knows, maybe one of the above or all!
Read it yourself, to know! 😊
A
middle-aged quizzical professor of anthropology, Dr. Montague,
an occult scholar, invites three folks with telekinetic abilities, to support
his research in unravelling the mystery of the Hillhouse, for his research
paper.
Out of the
three, one is Theodora, an ebullient, open-minded
young woman, with telepathic abilities, exhibiting a contrast of kindness and selfishness!
Another one
is, Eleanor, spending major youth in nursing the deceased
mother, dreamy, self-declared inconsequential-being, carries a truckload of
repressed emotions!
The third
one to join is, Luke Sanderson, the heir of the
Sanderson family and the representative of the Hill house. He is roguish!
Once the gang,
starts living in the house, there are multiple events, that leave them
flummoxed, finally leading to a legit end!
Many may find
the ending to be frizzled-out, but for me, there could not have been any better
ending to such a novel, that embodies not only a supernatural element, but much
more!
Weighing
a novel with few hundred pages, it holds ambiguity, relatability to all the
characters (we end-up meeting such characters and living these traits for ourselves),
an evenly-paced plot, state-of-art writing, and above all there is a hill-house!!
For me,
the hill-house isn’t a non-living entity, but a living entity, and another character
in the novel. With multitude of hallways, doors, and the complex gothic architecture,
it shouts out, eeriness, darkness, grimness, chaos and dysfunction. This
dysfunction emits into the plot, to the highest degree! If you take away the dark
and grimly architecture of the Hillhouse from the novel, then no element of gothicism
or excitement remains!
A sure-shot
scary 5-stars, for this subversive classic-horror!
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